ara ara ara?

Hiya! It's been a while! I blame Yuletide. (The preparatory work is a Lot, even with all the comods and tagmods who do an amazing job of putting things together. So, make me feel like it was worthwhile: go sign up! 😁)

But I have been consuming media!

What I recently finished reading:

Chaos Vector and Catalyst Gate, the second and third books in the space-opera Protectorate series by Megan E. O'Keefe. I enjoyed the series overall, though I feel like O'Keefe slowed things down and lost momentum after the sequence of clever twists from the first book. The actual story behind the story turned out to be less novel and captivating than I was expecting, and although a few of the reveals were "a-HA!" great, some parts just felt as though the worldbuilding was being done on the fly, and the plot built around to justify it.

The writing occasionally felt a little fanficcy to me, like, "let's express found family sentiment here! Let's throw in an obstacle that turns out not to be one!" but overall it was easy to read and fairly entertaining.

Europe in Autumn by Dave Hutchinson, which like the first book of the previous series is a reread so I can read the rest of the books in the series. This one I first read in 2014, and as with the Protectorate books, I am stunned at how much I completely don't remember at all. Here's my review from 2014:

A whole lot of elements in this book hit my buttons perfectly. There is the alternate-history/near-future aspect, which centers on the interesting idea that the EU has not just fallen apart but splintered into dozens of tiny pocket states (and I have to say, there was a strange resonance to reading the bit about Scotland's explosive parting from the UK only a month after the real-world vote failed). There is the largely Eastern European setting, the Estonian and Polish and Hungarian characters, which read delightfully exotic to this American (though I wonder how it will read to my European friends!). The writing is strong, never getting in the way of the story but frequently delighting me with clever phrases and evocative images, exactly the style I love reading. And I adored the idea at the heart of the eventual reveal.

But...there were problems. The pacing was a little odd, slow to get going, with scenes (or parts of scenes) that did not obviously contribute to the story. Some, granted, played a part later. But it didn't feel tight to me; yet at the same time, there were all these questions that were answered in oblique ways, or left hanging such that clearly the reader was supposed to connect invisible dots, which made me feel a bit too stupid for the clever author - not as bad as Ken MacLeod's books make me feel (and there were bits of this that were reminiscent of his The Execution Channel, but along those lines. And the cool reveal I mentioned above comes practically at the end of the book - but when I hit it, I felt, that is what I want the book to be about! Not all this preparation stuff! And there wasn't enough about the cool part!

I mostly still agree with this, though I now think the pacing works better for me, maybe because I missed some details before or failed to understand how a later section made use of information from an earlier one. Also - there was an offhand bit of building up the undergirdings of this near-future world, the why of Europe having splintered into micro-polities, involving a pandemic of the "Xian flu" which "had brought back quarantine checks and national borders as a means of controlling the spread of the disease..." and I was, holy shit, this was published in 2014. (This fictional pandemic was 10-20x more deadly than Covid-19, which was certainly bad enough.) Other contributors to European disunity were "Economic collapse, paranoia about asylum seekers – and, of course, GWOT, the ongoing Global War On Terror," and about there I started thinking damn, if it wasn't for the Great Uniter (of everyone else against him) this would be playing out right now...and maybe it will play out here, as the states attempt to sort themselves by political party.

I guess the point is, I enjoyed reading this both as an escape and also as a a warning. On to the second book, which according to my notes I read in 2016 and liked even more (because it was mostly about the cool thing at the end of the first book)!

What I recently finished watching:

Two episodes of Resident Alien which was too cringe for me. I liked the concept, in theory? But the execution was excruciating.

Foundation S3, which - well, another way that civilizations crumble, I guess. I enjoyed it, particularly watching the various Cleons diverge from their assigned paths, but alas the problem with a generation-spanning epic is that the characters you liked in a previous season are (mostly) long dead now. Probably my favorite part was Bayta (and Toran, I guess) who felt very much like Star Wars characters to me.

What I'm still playing but not for much longer:

I'm about to start the endgame sequence (at least, that's what the quest screen tells me) of Dragon Age: The Veilguard. Time to kill those pesky gods!